Timber rot Topsham: Colour, light and how a scheme reads in Topsham
Timber rot · Topsham, Devon

Timber rot in Topsham: colour and light

Colour, light and how a scheme reads in Topsham. We will bring sample panels so you can see the shade on your own elevation.

We will bring sample panels so you can see the shade on your own elevation.

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Timber rot · Topsham

Colour behaves differently outdoors. Daylight is far brighter and much bluer than interior lighting, so a shade chosen from a small indoor sample almost always reads lighter and cooler once it is on the building.

Timber rot Topsham: colour and light

View a physical sample outdoors, against the building, in morning and afternoon light. Indoor swatches under artificial light mislead almost every time.

colour and light decision path for Timber rot in Topsham

Sheen level changes perception as much as hue does. A satin film holds its depth of colour and hides surface irregularity; high gloss reflects the sky and exaggerates every ripple in the substrate underneath.

Timber rot Topsham: Sheen level changes perception as much as hue does. A satin film holds its depth of colour and hides surface irregularity; high gloss reflects the sky and exaggerates every ripple in the substrate underneath.
Timber rot Topsham: Sheen level changes perception as much as hue does. A satin film holds its depth of colour and hides surface irregularity; high gloss reflects the sky and exaggerates every ripple in the substrate underneath.
Timber rot Topsham: The practical method is to view a sample outside, at the actual elevation, at two different times of day, held against the render or brick it will sit next to. Ten minutes of that avoids a decision people regret for years.
Timber rot Topsham: The practical method is to view a sample outside, at the actual elevation, at two different times of day, held against the render or brick it will sit next to. Ten minutes of that avoids a decision people regret for years.

Colour, light and how a scheme reads in Topsham

Colour behaves differently outdoors. Daylight is far brighter and much bluer than interior lighting, so a shade chosen from a small indoor sample almost always reads lighter and cooler once it is on the building.

Sheen level changes perception as much as hue does. A satin film holds its depth of colour and hides surface irregularity; high gloss reflects the sky and exaggerates every ripple in the substrate underneath.

The practical method is to view a sample outside, at the actual elevation, at two different times of day, held against the render or brick it will sit next to. Ten minutes of that avoids a decision people regret for years.

Timber rot Topsham: colour and light

The practical method is to view a sample outside, at the actual elevation, at two different times of day, held against the render or brick it will sit next to. Ten minutes of that avoids a decision people regret for years.

Timber rot Topsham: colour and light

Timber rot in Topsham: How do I choose a colour with any confidence? — what matters for Dutch-gabled merchant houses on the Strand?
View a physical sample outdoors, against the building, in morning and afternoon light. Indoor swatches under artificial light mislead almost every time.

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